Reyes Marín

ReyesMaríndesignsidentitiesthatholdupinthewild.

Four projects. No filler case studies padding out a portfolio grid.

Selected Work

01

Angular teal and rose polygon shapes overlapping at sharp angles, one shape bleeding off the tile's top edge, standing in for the Ferro Type Foundry identity cover.

Ferro Type Foundry

Ferro cuts one typeface a year and sells it directly, no distributor. They needed an identity that could be set entirely in their own unreleased weight — the wordmark, the specimen sheets, even the invoice template. I built the mark as a 6-weight custom variable font extension of their in-house face, so every touchpoint doubles as a specimen for the thing they actually sell.

Deliverables: wordmark, 6-weight custom font extension, specimen sheet system, packaging for physical type samples.

Most studios would've handed us a logo and called it done. Reyes handed us a second typeface.

Dana Ferro, founder, Ferro Type Foundry

02

Soft overlapping rose and teal blob shapes at varying opacity, rounded and organic, one blob cropped by the tile's right edge, standing in for the Meadow & Co. packaging cover.

Meadow & Co.

Meadow stocks 40 plant varieties and reprints labels weekly as stock changes. The system had to work in one ink color, printed in-house on a thermal label printer, and still feel considered. I designed a modular label grid keyed to plant family rather than species, so new stock slots into an existing visual language instead of needing a new label designed every week.

Deliverables: wordmark, single-ink modular label system, care-card template, storefront signage.

We haven't needed a designer since. That was the point.

Priya Adjei, owner, Meadow & Co.

03

Three layered teal blob shapes of decreasing opacity stacked diagonally, the topmost shape cut off at the tile's bottom-left corner, standing in for the Hollow Loaf Bakery cover.

Hollow Loaf Bakery

Hollow Loaf sells wholesale to 30 grocery accounts, which meant the branding had to survive fluorescent cooler lighting and a paper bag, not a styled flatlay. I chose a two-color system with heavy type contrast specifically so it would still read from four feet away under bad lighting — the actual condition the packaging lives in most of its life.

Deliverables: wordmark, bag and twist-tie system, delivery van livery, wholesale order-sheet template.

04

One large angular rose polygon overlapping a smaller teal polygon at a shared corner, the rose shape bleeding off the tile's left edge, standing in for the Birch & Awl cover.

Birch & Awl Furniture

A one-person furniture shop needed a mark that worked branded into a table leg at half an inch and painted on the side of a delivery truck at three feet — same mark, no secondary lockup. I drew it as a single continuous line so it brands cleanly by router, laser, or paint at either scale without simplification.

Deliverables: wordmark (single continuous-line construction), branding-iron stencil, delivery truck livery, care-card insert.

It's routed into every piece we make now. Cheaper than a hangtag, harder to lose.

Tomas Ilić, founder, Birch & Awl Furniture

How the four projects actually got made.

Every project starts with the constraint, not the mood board — what does this actually get printed on, at what size, by whom, and how often does it change. The identity gets designed to survive that answer. Three rounds of revision, fixed scope, no unlimited-revisions retainer.

Reyes Marín, solo practice, Oakland.

Ten years in-house at two agencies before going solo in 2021. Now takes on four to six identity projects a year, each with a named point of contact throughout — no account manager layer between you and the work.

Portfolio · template1

Reyes Marín — Brand & Identity Design

Reyes Marín designs brand identities and type systems for restaurants, foundries, and small manufacturers — four case studies, wordmark to packaging.

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